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Despite ‘Pinocchio’ Success, Del Toro Fears For Mexican Cinema

Despite his international success, including a new adaptation of the classic puppet tale “Pinocchio,” Oscar-winning Mexican director Guillermo del Toro fears that his country’s cinema industry is facing “systematic destruction.” 

Del Toro’s animated version of “Pinocchio,” in which an elderly woodcarver and his living puppet find themselves in 1930s fascist Italy, was the most-watched film on the streaming platform Netflix in the week of December 12-18.

Its debut on December 9 came a week before the release of “Bardo,” an autobiographical tale of a journalist-filmmaker returning home after years in Los Angeles, by fellow Mexican Alejandro Gonzalez Inarritu.

Mexican actors have also enjoyed recent success in Hollywood, including Tenoch Huerta, the rising star of the sequel to “Black Panther,” the first major Black superhero movie.

Del Toro, Inarritu and Alfonso Cuaron represent a golden generation of Mexican filmmakers who have won the best director trophy at the Oscars five times since 2013.

Del Toro’s fantasy romance “The Shape of Water” earned best picture and best director at the 2018 Oscars.

The following year Cuaron scooped three golden statuettes for “Roma” — an intimate black-and-white movie about a family in turmoil in 1970s Mexico City

Anambra man of the year award
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