BlackfaceNaija, real name Ahmedu Augustine, was a founding member of the Nigerian band, Plantashun Boiz, that he formed in 2000 with 2face, Innocent Idibia; and Faze, Chibuzor Oji.
After Plantashun Boiz split in 2004, BlackfaceNaija led a solo musical career. He released the hip-hop album Ghetto Child in 2004 collaborating with a number of artistes. He also recorded a full album for his crew, D Tribunal, called What We Are.
In 2013, he made a collaborative album 200 with Maine Eazz. Sadly, there has been a long-standing beef between the dancehall veteran, and 2face. In January 2016, BlackfaceNaija in a series of tweets lashed out at 2face and his manager accusing them of stealing his intellectual property and even threatening to take them to court. Ever since, BlackfaceNaija has refused to renege on his statements.
In this interview, the talented artiste addressed so many issues including his strained relationship with 2face Idibia.
PT: What have you been up to recently?
BFN: My recent work is my 6th album, which I titled DEFENDER VOL1. It took me over 6 years to finally put an album out again after so long and this is because I wrote so many songs. So, because my fans have missed me so very much, I am making it in two volumes; the first (Defender Vol 1) is out on iTunes and you can find it on some digital sites as well.
PT: You have been somewhat quiet in the music scene?
BFN: Yes, I have been quiet and this is because some persons are plotting to make Nigerians turn their back on BlackfaceNaija because I stand for what they donât stand for. They are jealous and hence been plotting for years over seven years to keep me out of the industry by labelling me names and putting out false information about me so the corporate bodies wont engage my services. And hey, they are doing a good job at it so far, I must tell you; thatâs why you say Iâve been quiet. I say this because I remember I had put some videos out like KILLAH and some other singles but no radio or TV agreed to play my music for the fans. So, I hope you all know now why Iâve been quiet all these while.
PT: You have retained your dancehall style of music for over a decade. Have you ever been tempted to switch to a more commercial brand of music?
BFN: I make dancehall music a lot because it fits my grooves and my mood when I make music, I just increase or lower the tempo and then branch out to other types of music be it RnB or hip-hop.
I make music as it comes really without thinking commercial or non-commercial; when the tunes are more groovy thatâs what you term commercial but slow music isnât groovy. But it can be very commercial long as people like the tune, theme of the song and vocals of the artiste. Music fans wonât hesitate to buy it.
So, yes if thatâs what you mean. Iâm making some new music that this new generation will want to have in their archives because my music is different from the rest. We artistes have different brain wave, different vocals and style of rendition.
PT: You are regarded as one of the dancehall music pioneers in Nigeria. Are you satisfied with the appreciation of dancehall music in Nigeria?
BFN: I really am not happy with that because the genre isnât embraced much here but itâs one genre that can be used to speak volumes and talk about the ills of society and how to solve it. Dancehall music also teaches us how to live in peace and harmony, as thatâs what the culture around the music promotes. But, here in Nigeria, reality feels more like a slap on our face; people would rather sell out than speak the truth. The media wonât put out the truth to educate the people but anything that can pay their bills. I think that should be addressed because itâs corruption and killing the growth of the entertainment industry.
PT: What are you most unhappy about in the Nigerian music sector?
BFN: A lot of things that is not right. Like artistes remaking songs of another artiste outside the shores of Nigeria thinking there is no copyright law. If you dig deep, a lot of your favourite artistes are guilty of this and it makes us look bad. Also, a lot of artistes find it difficult to pay for studio sessions and pay producers their fees. Some also find it hard to print CDs and to get generous airplay in radio or TV stations. So, it breaks me when an artiste says they have to pay money to get their music played when they should be getting paid to play their songs. I find that horrible and it should be looked into. We need more content providers to spring up and record labels and banks should look into sponsoring labels and independent artistes.
PT: What roles do these artistes themselves have to play?
BFN: Artistes should also develop the attitude of performing live. Vocal piracy is also a big issue and artistes need to desist from it. The government has to act now in the aforementioned sectors, as they are responsible for the society we find ourselves.
PT: You have been very critical of your former band mate 2face of recent on social media. Donât you think itâs better to reach out to him in person rather than the social media outbursts?
BFN: The medium doesnât matter. What matters is that he and his people get my message.
PT: Since you accuse 2face of intellectual theft have you considered taking legal actions against him?
BFN: Yes, I have; and my legal team is working on that, as thatâs the best way to go. When I accused them, they lied and said its âunfortunateâ. I said they took my song and then even said maybe my account was hacked. Well, if you thought so why didnât you pick up your phone and say âYo black.. . Whatâs going on?â But, no they wonât because they wanted to steal it and it backfired, and they trying to act âholyâ so they make flimsy excuses. 2face and his manager planned all of that. 2face sang my song (Let Somebody Love You) and featured an American artiste, Bridget Kelly. His manager published it without my permission. Till today they havenât deemed it fit to tell the world that they tried to assassinate my character in the media but that couldnât be justice and they know. So, the court is our only option as they keep avoiding meetings thinking that with time it will all fade off. But, they know not what tomorrow holds and neither do I.
PT: Do you regret the fact that Plantashun Boiz split and do you think the group would have survived this long?
BFN: I donât regret the music I gave to the fans during that era. It was a starting point for meâŚa learning curve as I am still learning a lot from all the stuffs they did to give me a bad name. But I was born to do this (music) and I canât stop and definitely not now.
PT: Did you foresee the breakup?
BFN: For real, with all that I know now, I am really surprised how we lasted that long and even made such records, Jah knows best.
PT: What major lessons have you learnt in your career and life so far?
BFN: They canât stop the rising sun and they canât stop the rain from falling.
PT: Why are you closer to Faze since you
